On New Year’s Eve, on my way to work, my morning was fitting the 2020 mold perfectly.
Traffic was horrible even though many people had the day off.
I hadn’t had breakfast yet, despite being up for a few hours.
I was running later than I wanted to be, which would likely mean staying later at work to get those hours knocked out.
Finally, as I came through the base gate and showed my ID card, I fumbled trying to put it back in its cellphone case sleeve, and it fell somewhere in my car.
I pulled over and searched for a few minutes, but the card was nowhere to be found. I even wondered if maybe there was a hole in the floor I didn’t know about, under some fabric or a mat.
Then I took a long look at the plastic panel between the front seats of my car, where the parking break is located. There’s a small, mostly covered, slot for the adjustable parking break handle, and although it looked like a you’d need a one-in-a-million shot, you could probably slide an ID card into that tiny groove.
I shone light into the groove and–of course–saw the white plastic of my ID card lurking in the inaccessible depths.
The ID card I would need to even sign in on my computer at work.
The ID card that couldn’t be replaced easily, let alone on a holiday.
The panel is held in place by ratchet bolts on both sides, and it seemed like I would have to remove the front seats if I wanted to gain access.
I drove to the store on base, complaining to my wife on the phone, trying to think of options or tools that might help me get the thing free. Purchase (and breakfast) in hand, I drove to work, thinking that at least I could be at work, on the clock, while I sorted this dilemma out.
There’s a panoramic ocean view on the way to my office, as you drive between the base golf course and the flight line. I remember as a young Airman a few years ago (–ok, several years–OK two decades) looking out at the waves and coming to a crucial realization:
The problems occupying and overwhelming my mind on that particular day wouldn’t even matter or be remembered in a week or two.
New Year’s Eve was no different. I would probably be able to get my ID out of its prison. If not, it would suck, but I would be able to get a replacement in a few days… and my Retired ID would let me get on base and do all my usual activities without hassle.
Actually, that day was different in a way…
A bright rainbow filled the sky to the northwest. I saw it when I left for work, and I saw it again as I enjoyed this vantage point with the beach filling the horizon.
Biblically, of course, the rainbow calls to mind God’s promise of mercy and His faithfulness—a reminder I no doubt needed given the frustrations about my ID.
I prayed and thanked God for the many good things I have in my favor. I have a great job working for an excellent company that allows me to live on this beautiful island. I am healthy and life is pretty stable. My grumpy attitude is unfounded when I take stock of the blessings in my life.
“God,” I said, forcing my heart to admit what my head knew was true, “I know You’ve blessed me all along the way.”
A flash of inspiration hit–the thought of “there’s a song in that phrase.” I started playing with the words and melody as I made my way to work, and jotted down the details for later tweaking.
And the ID card?
A strip of duct tape on the end of a flattened straw fished my ID card out of the deep crevasse with almost anticlimactic lack of effort.
Your hand holds me, I know You’ve told me You will never leave, never forsake me Your hand of blessing, it’s overflowing Still I’m struggling when things don’t go my way
Your hand is comfort on my shoulder I know You’re with me in my darkest days When I’ve got no one, Your hand still holds on God, help me stop looking around and seek Your face God, help me stop running around And run straight into Your embrace How can I say that I trust You, then challenge what You do? How can I doubt You will rescue after all You’ve brought me through?
When I can’t see it, can’t understand it Still I know I can say by faith All I needed, Your hand provided Lord, You bless me all along the way
When I’ve wandered, when I’ve squandered Every precious gift of mercy that You gave You still sustained me on this journey Yeah, You bless me all along the way
We played it the first Sunday of the new year at our worship service. Forgive us in advance for the sound “quality” of the livestream, then jump to the 15 minute mark to hear “All Along the Way.”
Have you noticed that God has a way of bringing the unexpected message or song you need right at the time you need it? I recall that when our oldest daughter got married and moved back to the States, that week at the chapel service was the first time I heard and played the Bethel version of “It Is Well.” Even though it felt like the seas of our family life were turbulent and shifting, I had to sing – and recognize – that those waves and wind still know His Name, and that through it all, with my eyes on Him, it would be well with me.
This week, my family sent our son Jon off to Thailand for LifeCompass, a four month missionary internship with Cadence International. It is both awesome and hard to see him go. As parents we worry for his safety; as Christians we praise God for working in and through him; as loved ones we will miss the joy and passion he brings to our home.
Last week at worship team practice, one of our magnificent singers, Rachel, introduced me to a song called “Another in the Fire” by Hillsong United. Jon is taking the words and the scriptures that inspired them with him, and I’m keeping them close to my heart. We all have fires and seas in our path. Maybe it’s the difference between who we know we should be and who we are. Maybe it’s a deep grief or frustrating struggle where we never seem to make headway. Maybe the doubts and uncertainties about what’s to come. Maybe it’s all those and more. Whatever our struggle or challenge, there is Another who was with us, who is with us now, and who will be through it all. We can know that we will never be alone.
On Friday afternoon, one of my coworkers celebrated escaping moving on from the military.
She’s the wonderful individual who routinely asks me in a friendly but annoyed tone, “Where’s my book, sir?”
Though I never have a good answer to that question, I thought at least I could give something personal and special as a thank you for all the encouragement that her persistence has given me.
I drew up the three main characters of my fantasy series–Josephine, the Soulforged holy warrior; Kaalistera, the shadow-bending assassin; and Lyllithe, the outcast Devoted touched by the Void. It’s hastily-drawn and imperfect, but heartfelt.
When I presented her this gift, it led to a discussion with a couple of other co-workers, and my friend praised my book for its well-rounded characters and exciting action.
Of course, my initial reaction was to cringe a bit, shrug my shoulders, and deflect the praise, because I see all the flaws and mistakes where I should have spent more time to put out a better product.
However, it’s always a meaningful and special experience when someone expresses genuine interest in your creative work.
If you know someone who is involved in creative endeavors, you can show them a little love and spark them to put in the work with a simple expression of interest.
“What have you been drawing lately?”
“How’s writing going?”
“What’s your band playing next?”
“Where is my book, sir?”
Then endure their awkward look of embarrassment, nod politely, and let them continue on their way–probably with a smile on their face.
If nothing else, you might get a drawing out of it.
A few weeks back, I wrote a song — something I haven’t done in quite some time — based on a similar theme coming to me from several angles.
I had been reading “Accidental Saints” by Nadia Bolz-Weber, a Lutheran pastor I had seen popping up on my YouTube feed. I don’t agree with everything she has to say, or how she chooses to say it… but when she starts talking about the grace and love of God, she is so on point.
Additionally, I had been playing keys for worship at a few churches, and singing songs like “Who You Say I Am” or listening to songs like Lauren Daigle’s perfect “You Say” which capture the theme of our identity in Christ.
Contrast that with the reality that I know how messed up I am and how often I blow it, how often I miss the mark, how often all my striving or all my lazy giving up just isn’t enough. And yet God’s love is there, even in the midst of my abject failure.
I thought of a great picture I saw where an artist captured the constant sense of “I should be doing X” whenever I am doing Y. I should be blogging, so I blog… but then I think I should be getting my work stuff done, so I get on that… but then I think I should be going outside and getting fit, so I do… but then I realize I should be at home spending time with my family, so I do… but then I remember I meant to write more of my book, so I do… but as I’m writing, I realize I don’t get enough sleep, so I go to bed early, but then I wake up and realize I should have been blogging…
It’s easy to dwell on all the voices in life that whisper ‘should’ and tsk-tsk every time I don’t. It’s easy to constantly reach for the next thing and the seemingly better thing and miss all the good things going on around me. It’s easy to think my worth is found in what I do and what people think or how many likes or shares or retweets I get (and thus it’s easy to despair when I don’t see those).
In those times… heck, at all times, I need Someone to remind me of what’s true.
Remind me of Your mercy, remind me of Your grace
Given to the undeserving, who are welcome in this place.
Remind me of Your patience for the weary and the faint,
Remind me of Your favor toward us sinners You call saints.
Keep me in that place of awe and wonder
Where the power of Your grace still pulls me under
Awash in Your mercy, lost in the thought
That the very One who died for is the One my soul fought
Yet You heal and restore me, the sinner that You sought
And transformed in Your glory, the life that You bought
With the blood You poured out for me, my sins have been washed
And exchanged for Your righteousness there upon the cross…
Remind me of Your promise, and of Your faithfulness.
Remind me that nothing I do will make You love me less.
Remind me of Your calling, and what You called me for.
Remind me that nothing I do will make You love me more.
Remind me of Your favor toward us sinners You adore
Here’s another spoken word style poem I wrote over the last few days… thinking of the tape or the playlist that often goes on in the back of our minds, calling out our failures and playing off our doubts. This one has a decidedly Christian bent — while acknowledging the negative thoughts that sparked the idea for the poem, I didn’t want to wallow in them.
HEADPHONES
Shut all the voices out, I’m trying to tune in Turn up the volume loud, the music is boomin’ Drownin’ the fear and doubt beneath all the rhythm Bobbing my head unbowed by my inner schism So long as I lock on the sound I don’t mind the prison And the feeling of coming unbound like light in a prism When the beat is starting to pound against the system I feel like I can rebound – I will not be a victim
Put the phones in, Try to home in
On the feelings and the voices that keep dronin’
All the echoing whispers condoning
Condemning thoughts I’m alone in
Awash in a well of emotion
Where I wade with the weight of the burden
And the heaviness hurts ‘til I’m groaning
But I keep it inside like I’m owning
All the pain that I hide when I’m hurtin’
So many voices, so many words
So many streams of empty air
Saying the same old things that I’ve heard
There ain’t nothin’ new out there
Under the sun, feel like I’m done
Broken down in disrepair
Thoughts that I shun come back and run
All through my head and leave me bare
Without a prayer,
Carry the care you wouldn’t dare reveal and share
All that you bear, ditch the despair
Don’t let ‘em see the wear and tear
Don’t let it scare the unaware
Wouldn’t be fair—not their nightmare
Just turn up the music and sway to the beat
Try to confuse all the voices that speak
Drown them in tunes that you put on repeat
Try to refuse to believe their deceit
All the abuse ‘cause they see you as weak
All the excuses you make for defeat
All the regrets leaving you incomplete
All of the fears from which you retreat
We’re all listenin’ to our own playlist
S’posed to listen more, try to say less,
But the voice in my head is a sadist
And the man in the mirror’s a menace
So I walk with my head down dejected
When my life goes to hell as expected
All the chances I dodged and deflected
And the burdens and shame that I’m left with
Tried to pass off the blame, got rejected
By the masses my game disrespected
And I’m groping for hope resurrected
But my options remain unaffected
‘Cause I’m leaving the efforts neglected
That would cure all my sickness—infected
By the ego that won’t be corrected
So I keep to myself, disconnected
While I’m tellin’ myself I’m protected
By the stories and lies I’ve collected
‘Cause the liar inside misdirected
And my purpose has been intercepted
Shut all the voices out, I’m trying to tune in Turn up the volume loud, the music is boomin’ Drownin’ the fear and doubt beneath all the rhythm Bobbing my head unbowed by my inner schism So long as I lock on the sound I don’t mind the prison And the feeling of coming unbound like light in a prism When the beat is starting to pound against the system I feel like I can rebound – I will not be a victim
But the playlist just keeps on repeatin’
All the ways that my sin’s got me beaten
All the failures and falls got me bleedin’
All the hopes and the dreams are receding
‘Til the song and the voices I’m hearin’
With their mocking and laughing and jeering
They get lost in the sudden appearing
Of a radiant Champion clearing
All of the fog and the doubt and depression
Turning my eyes from my inward obsession
Toward the prize beyond any possession
That He purchased for us through redemption
Every sin every failure—you name it
It’s been stamped with His Name ‘cause He paid it
The whole list is now His, He forgave it
Powerless to condemn ‘cause He nailed it
To the cross where He bought our salvation
And I need to get this revelation
That the God who says “No condemnation”
Is rejoicing in celebration
Over us and our consecration
As He’s working toward sanctification
Now that we are His brand new creation
And the echoes that kept up their whisp’rin’
Kept on pickin’ on me and all my sin
Well He shut off those tunes and He put in
A playlist called “Fully forgiven”
His mercies – they’re new every sunrise
His love – you’re the apple of His eyes
His grace – it cannot be diminished
His work on the cross – it is finished
‘Cause along with the song that He’s singin’
There’s a message of hope that He’s bringin’
So shut all the voices out, I’m trying to tune in Turn up the volume loud, the music is boomin’ Drownin’ the fear and doubt beneath all the rhythm Bobbing my head unbowed by my inner schism So long as I lock on the voice that freed me from prison And the glory in which I rejoice like light in a prism When Your mercy and grace overpower my limited vision And Your Spirit alive in me shouts that this corpse is now risen When the power of love You have shown has shattered the system Through the favor and grace You bestowed When You took my place and embraced the disgrace as a victim
So I take out the earbud a minute
And I think about what’s playin’ in it
And I know it’s not for me alone
That’s why I pick up this microphone
Last week, I facilitated a discussion on Writing for Non-Writers as part of our base library’s summer reading program. Our librarian knew I had been published in a couple editions of Chicken Soup for the Soul and thought I might have a few lessons learned or tips for folks who would never call themselves writers, but might have interesting stories to tell. Thanks to a few eager participants, we enjoyed an energetic discussion and exercised our creative muscles.
Here’s the Cliff’s Notes version:
(Quote boxes are composed of inputs others offered as we discussed the topic.)
Intro: You may not feel like a writer, but chances are you’re a story-teller. Story is the vehicle for how we communicate our lives and share our experiences with one another. What if you put some of those stories in writing instead of merely sharing them in person?
Q: WHAT DO YOU LOVE ABOUT STORIES?
“Stories validate you and help you connect. Our stories can help others find their way or enjoy new experiences.”
Power of Story: We process random circumstance into narratives. We tell people stories about ourselves and create stories to explain life. It’s why conspiracy theories have so much strength.
“You wouldn’t believe what I saw the other day…” Yeah? Tell me about it. “So there I was, minding my own business, nursing my cup of coffee, when this crazy guy comes in…”
“I have to tell you about my trip to the store, oh my gosh—UNBELIEVABLE!” But it’s totally believable, depending on the skill or the passion of the story-teller. We expect a hilarious and unexpected ride on the struggle bus… so we lean forward, smile, and wait for the laughs.
Q: WHAT MAKES A STORY BAD?
Not tragic / dark, but “turn off Netflix / put the book in the bin” bad?
“A story is bad when there’s too much or too little detail. If it’s too complex, with pages of description… and on the other hand, if there’s not enough information, it’s hard to relate.”
Q: WHAT MAKES A STORY GOOD?
“When we can see it happen, when we feel the buildup and climax, when we can apply our story to the story or feel ourselves being IN the story.”
Does a good story mean having an interesting character? Often, WE are the characters; we can’t help if we’re interesting or not.
What about an interesting event? Not necessarily; a good story can be about a mundane event told in an interesting way.
How about a relatable event? At the very least, something that connects to the specific message or point, like an analogy.
Good stories often show how someone grew or changed as a result.
Interesting telling. No rambling, side jaunts, or rabbit trails. Stories usually have direction and purpose. Think of a testimony at church, or a blog post with a life lesson. These often have a three-part structure:
How things were (I didn’t think of myself as creative, or worth listening to)
What happened (I met some folks who showed me how to write well)
How things changed (I ended up submitting to Chicken Soup and got published!)
Tell it with your voice. Write what you might speak. How would you tell a friend? Tell that same story to the paper or screen.
“You can always revise! It might be trash but it can become better.”
Q: HOW MUCH DETAIL IS TOO MUCH?
Have you ever asked a kid to tell you a scene in a movie?
“So the bad guy did this, but then the hero came in, but wait–so before that, there was this one guy, and he said to the lady–um, she is the friend of this other dude who shows up at the beginning of the movie but then the shark eats him–the shark is the one from the aquarium but it got out because the bad guy opened up the doors on the tank so that he could–wait, so there is this secret message…”
“What is relevant to the story? That’s all you need.”
Concrete = convincing… to a point.
Which sounds better?
“A hot cup of coffee” or “a steaming cup of Sumatra dark roast”?
“A Dachshund the color of cinnamon,” or “a brown dog”?
Only the most important adjectives, not all possible descriptors. Convey the point, not the entire movie.
While it paints a clear picture, that might be too much–certainly far more than is necessary unless the story hinges on all those details.
Use all five senses. We focus on the eyes and ears like we’re describing the movie in our heads. We’re used to the cinema, but the world has smells, feelings, textures, tastes…
Someone might say, “Well, I’m not a writer.”
“I’m not going to make up stories and worlds and stuff like that.”
Great!
Q: HAS ANYONE TRIED JOURNALING?
A journal gives us a place for processing the junk in our lives… A chance to be “honest” in a way we may not in public. Pour out the words onto a page and tell it like it is. Keep it private so you can unload and release. If you want to go deeper, try exploring what comes up when you ask yourself a series of “why” questions like a three-year-old.
I feel like they took advantage of me. Why?
Because they didn’t say thank you and that bothers me. Why?
I want to know that what I do has value. Why?
I don’t want to waste my time on things that don’t matter. Why?
I feel like there are too many things I don’t have time for which matter to me, and if I’m wasting my time on people that don’t care about the effort I put in, then I don’t want to do those things…
“A journal is a perfect place for the ‘bad’ emotions – we can vent our hate or anger.”
Q: ANYONE HAVE PERSONAL / FAMILY MEMORIES THEY STRUGGLE TO RECALL?
What about keeping a family journal? How many times have we lost important memories? “Grandad had all these great stories, but I didn’t pay attention back then, and I don’t remember them now…”
We can write down important details to keep for ourselves or pass down to our kids.
Mom? How did you meet Dad?
What was it like before the Internet?
The day I got the good news about…
I remember where I was when…
The day I got an F-15 incentive ride, I went home and wrote down all the details I could in order to capture the memory. I knew I would forget details over the years, even though it’s one of the most exciting and meaningful experiences in my life. (Full disclosure, I actually wrote things down later in the week. That detail doesn’t matter to the story so we can fudge it a bit without losing anything.)
What about hilarious conversations with kids? How about the silly things they say when they first start speaking?
We think we’ll have these moments forever in our minds, but the hard drives in our brains get corrupted and fragmented pretty easily, and time passes quick.
(I made an Avengers: Infinity War reference at the workshop, talking about our memories flaking into ash and fading away… and not one of the participants had seen the movie. What a wasted analogy!!!)
These ideas and writings may not lead to a book deal, but they may prove satisfying in a way we didn’t expect, meeting a need we didn’t realize we had.
EXERCISE
(I put on some soft instrumental music and read the following directions and questions.)
Close your eyes for a minute and think of a happy memory. Relive it for a moment. Pay attention to the details.
At our bi-weekly Okinawa Military Community Writers meeting, Kyle led off the discussion with an exercise in developing the main idea of a short story, novella, or book. He posted about this and covered the 5 Ws that can help a writer summarize the story they intend to write.
I hope to build on that here with some additional tools or techniques for devising a plot line. Your mileage may vary, but hopefully one of these options will prove useful.
So you want to write a book…
Anyone setting out to write hopes to create something new and interesting, a unique contribution to their genre–and that’s a noble aspiration, of course. That might make some of these formulaic approaches seem unpalatable.
The thing to remember about a formula is it exists because it works.
Readers expect certain elements in particular genres… and this is not bad. A reader should have a decent idea what to expect based on the cover, back copy, and the first few pages. The tale may be familiar in structure, but unique in the telling, which makes it a fun read.
Deviating from the standard plan can be creative. Deviating too much is detrimental unless you telegraph it from the beginning.
In one of his excellent lectures on writing, fantasy author Brandon Sanderson brings up the example of a fellow writer who got published around the same time as Sanderson’s first book, Elantris. Sanderson’s book sold well and launched his career. The other fellow’s book sold poorly. What started as one type of novel (fantasy coming of age) suddenly became an entirely different book (dark and gritty science fiction) about three-quarters of the way in. Obviously other factors could be at work in this example, but when a book doesn’t deliver on its promise, that turns readers away.
That’s where planning and plotting can help. If we understand the commitment we’re making and the steps we should take in order to fulfill that promise, it’s easy to give readers what they will like.
“But I write free and unrestrained,” one may protest. “An outline or plot is a straitjacket in a padded room, an orange jumpsuit in a prison cell. I won’t go willingly.”
Pantsers (those who write by the seat of the pants) can still find use in these tools and structures. However, instead of using one to start an outline, the pantser can use these to guide the first major revision. If we’ve done our job as writers, the rough first draft will have elements of story and theme and proper flow between events, leading from whatever kicks off the thrill ride to the explosive climax. Figuring out the main structure of a story–even a free-writing journey of creativity–can illuminate what works and what fits, or highlight what should be cut to make the end result leaner and tighter.
Get your writing on LOCK
James Scott Bell writes about the LOCK method in Plot and Structure, among other books. The elements are:
Lead – a compelling or interesting character we’re going to care about enough to read through an entire novel.
Objective – the important goal or need driving this character into action they might otherwise avoid
Confrontation – the opposing forces or agents keeping the Lead from a quick solution
Knockout – an unexpected yet exciting ending that wraps up the conflict while blowing the reader’s mind
The stakes in the conflict have to be high–usually involving death. That doesn’t mean the lead or some support character must literally be hanging from a cliff or targeted in a sniper’s scope. Death can be professional (disbarred as a lawyer, kicked out of the military, imprisoned for a crime, or simply shamed and humiliated), or personal (divorced by the spouse they love, abandoned or rejected by their child, trapped forever in regret and frustration at what might have been).
Varying the Variables
A technique I picked up from George Guthridge during a fantasy writing workshop involves sorting out the variables and reasons that sum up the conflict, almost like a math formula.
(Variable 1) (verb phrase) (variable 2) because (reason).
For example, “A hopeless loser gets his life mixed up with his wealthy twin because neither knew the other existed.” So we get all the variations on The Prince and the Pauper, such as Freaky Friday, the Parent Trap, and a number of plots for one-off episodes in cartoons and comedy shows.
The trick here is to ensure that most of the equation involves some new or interesting. One of the variables can be boring–the hopeless loser, for example–but the rest must be exciting for the equation to work.
For example, the hopeless modern-day loser is trained to use magic by an enigmatic centuries-old sorcerer because only together can they close the portal to Hell in the middle of Times Square.
Okay, that’s been done, but the point is only one part of that equation feels like it fits in the mundane everyday world.
Filling Out the Outline
Guthridge also taught a skeletal plot structure that lays out the protagonist’s character arc, around which all the rest of the story will build. Here are the pieces of that framework:
The Protagonist (what’s interesting about him or her?)
Has an emotional / inner problem (what’s the backstory that led to this personal issue?)
But an outside problem arises (what happens that forces the protagonist to face their issue and backstory?)
Protagonist tries a solution that not only fails, but makes things worse (how are the stakes raised as a result?)
Repeat 4 with another failed solution that builds the conflict and deepens the crisis
Repeat 4 if you have space for a third failed solution and the resulting increased tension
Protagonist solves the outer problem (without help from God, luck, friends, family, deus ex machina stuff)…
And in so doing also solves or overcomes their inner problem
This will establish the main thrust of your character’s journey. Plotters can use it to start an outline; pantsers can look for how what they’ve written conforms to this kind of arc and revise accordingly.
Characters Change… Maybe?
Some books and speakers insist that a story is a series of events where characters change. This isn’t always true.
While considering the path a character will take (or has taken in the first draft), it may be that he or she remained firm in their convictions, against all the odds and pressure to change. Some stories are about people whose unwavering beliefs carry them through seemingly insurmountable odds. The tension builds with the increasing temptation to give in, and readers wonder, “Will they break? Will they sell out?” We’re satisfied when they don’t. Think of Captain America in the Avengers movies, who states that sometimes when all the world pushes you to move, you have to stand your ground and say, “No, you move.”
Conversely, plenty of stories involve the transition from an old belief or worldview to a new take on reality. Most “apprentice” novels and coming-of-age stories involve an underdog who becomes a master of their craft while developing the internal confidence to stand up for themselves.
A character may stand firm or change views–then we can reveal if their decision will end well or poorly for them. Maybe it’s a mistake with dire consequences, a cautionary tale. The unwavering person might not be able to survive a changing world (alas, Ned Stark!), and the person shifting their beliefs might live to regret their decision. Either of these can be a satisfying (if not happy) resolution to a character’s arc.
Nothing New Under the Sun
None of these structures or techniques are first-seen, unheard of, unique experimental snowflake novels. They don’t have to be. Everything we do and create is derivative of something we’ve seen or experienced–that’s what makes it relatable. The familiarity of the structure puts readers in a comfortable place, but each writer’s individual twists or combinations of ideas build a fresh experience that keeps the writing from feeling like what we’ve seen before. On top of that, no one tells a story exactly the same way; the use of voice and style in writing puts the spice in the casserole of words that will satisfy a hungry reader.
I hope the tools above and the 5 Ws from Kyle’s post help spur some creative writing. Whether following a recipe is easier, or looking at a picture and winging it is preferred, let’s get cooking and serve up something delicious.
It’s not a one-off, not a fluke, not a one-hit wonder. I got confirmation today of upcoming payment for my words by a “real” publisher. In a couple months I’ll get a small check from Simon & Schuster, and one of my stories will appear in Chicken Soup for the Soul: Step Out of Your Comfort Zone, due out on Halloween.
While a short story submission like that doesn’t take a lot of time or effort, it represents the return on investment, the proof of growth and progress in this self-proclaimed writer status.
A second story published is a signal that I’ve done something with the last several years of “taking writing seriously.” It validates the advice and constructive criticism I’ve received over five years of participating in critique groups.
For most of us, nothing worth doing comes naturally or easy. Talent won’t make the difference; it’s what we do with our opportunities. Motivation doesn’t make magic happen; small, incremental efforts repeated daily or at least frequently will create results over time. We’re trading a little pain now for something important later.
Learning to play the piano took eight years of lessons, and over thirty years of ongoing effort… but it’s a skill I get paid for now. Becoming a Spin instructor wasn’t easy, but overcoming the challenge of each session gave me deep satisfaction… and also a paycheck.
A friend of mine fought his debt and financial status for the last few years, chipping away at the bills and pumping money little by little into savings. He’s getting ready to move, and we talked for a while at the grocery store while he picked up some lunchmeat, some cheese, and some wraps with which to make meals. He chooses to live comfortably yet below his means in order to manage his money better, and now he’s putting half his paycheck into investments every month. By the time he retires from the military, he’ll own a few properties with a plan to purchase more–his invested money earning enough to pay for all his expenses. It took time, discipline, and some pain… living like no one else now so he can live like no one else later, to quote Dave Ramsey.
I read a challenging quote from motivational speaker Jim Rohn yesterday which reaffirmed the thoughts behind this blog: “We all must suffer one of two pains: the pain of discipline or the pain of regret. The difference is discipline weighs ounces while regret weighs tons.”
After a long workday of chaos, I want nothing more than to log into Warcraft, rip open some bag of junk food, put something on the TV, and shut off my brain.
Instead, I came home and headed out the door for some sprints around the neighborhood and gradual climbs on nearby hills. I’ve got a PT test coming up in a month–probably my last one in the Air Force–and I can’t afford to fail. That means putting in the work now so I can see and enjoy the progress later.
Despite the ache and soreness in my knee.
Regardless of the arthritic throbbing in my fused ankles.
Despite the stabbing pain in my big toe for the last few days.
Regardless of what other things I could or should be doing with my time.
Effort leads to results… eventually.
What are the goals and aspirations that float through the void of “someday I’d like to” in your mind? What small steps can you take today to advance toward them?
This week’s Blog Battle entry is for the word “bribe” in whatever genre I choose. This is the second half of last week’s story from the underworld featuring Dom the detective and his dearly loved Innova the spirit of creativity.
I’m a little bit late and a lot bit over the word count but here it is:
I crouch and hustle toward the banks of the River Styx, my drab, lifeless fingers wrapped around Innova’s wrist, almost charcoal against her gleaming skin. The waters ahead churn black and gray underneath a rolling mist. We’re almost to the ferry, hiding behind ramshackle houses, slipping through crowds of bodies wandering aimless near the docks like the wreckage of the afterlife.
Innova digs her heels into the dirt and pulls me back. “Dom, this is insane.” She gestures at the small black box strapped around her radiant ankle. “You should just take me back to the bar before the Oni gets suspicious. Calm, rational responses aren’t his style.”
I ain’t rational either, not when it comes to her. She doesn’t understand the lengths I’ll go to, the madness and hope her presence inspires within me. I’ve been Soulless for years, ever since I pulled the trigger on all my pain and suffering. I’d hoped to end it, and got an eternity’s worth instead. And after years on the outskirts of the underworld, this spirit of creativity clinging to my arm is the only thing that matters to me.
“I still have more time with you,” I protest. “He gave me his word. And if you can’t believe the giant ogre-demon Overlord who runs half of Death’s Landing, then who in Hell can you trust? Other than me, of course,” I add with a laugh.
Innova scoffs, but follows toward the ferry. Fact is, I need her to trust me on this one, maybe more than ever. I’ve been working this plan for a while and can’t have it fall apart at the last step.
The Ferryman stands at the stern of his vessel, watching each tank of bootleg spirits his dockhands unload to their storage facility. “Move faster,” he growls. “I got another shipment to fetch from the other side.”
I can hear a crowd of voices on the other side of the building, the eager buyers who ditched the Oni and his expensive bar to come get a cheaper fix. The Ferryman is building some powerful demand from his customers, judging by the ruckus on the streets nearby. Makes me wonder what he’s getting out of the bargain. The Oni deals in secrets… what does the Ferryman collect?
Questions for another day. We’re a short dash from the mooring, and the dockhands are hauling off the last of the tanks. The Ferryman is already pushing away from the dock. It’s now or never.
I feel Innova pulling away, resisting, quivering with fear now that we’re in sight of the ferry. “Trust me, babe,” I whisper. Then I dash for the boat, and thankfully she comes along, her fingers digging into my unfeeling skin.
The dockhands watch in surprise, and the tanks of spirit they’re carrying fall forgotten in the dirt. The Ferryman’s face twists in confusion at the sight of this blazing bright woman and the bedraggled scrub of a Soulless running toward him.
We hit the edge of the dock and leap, hanging over the black waters of the Styx for a second before crashing onto the planks of the ferry in a tumble.
A voice roars loud enough to shake my heart inside chest. “What is the meaning of this?!” I look up at the Ferryman, but he’s glaring at someone on the docks. Behind me, Innova groans.
At the edge of the dock, surrounded by a team of hovering demon-spawn, the Oni stands armored and armed for battle, his fists on the massive plates of obsidian at his hips. His mask is a glowing crimson like lava. His horns are tipped in blood. The long sword he holds in one hand looks like a massive sheet of razor-sharp metal with a handle tossed onto one end for convenience.
His mask moves slightly, his gaze taking in the whole scene. When he speaks, the dock rumbles beneath his weight. “A fool hoping to steal one of my precious guests? And perhaps worse—a greater fool cutting into my market with cheap imitations of my product?”
The Oni points, and four winged demons swoop toward the ferry to pull it back to the dock. The Ferryman whistles and a dozen of his burly assistants pour out of the storage facility in seconds, fists clenched, ready for a scrap.
“Dom,” Innova breathes, “what have you done?”
The Oni stomps a hoof onto the ferry and for a moment I fear the whole thing will capsize. His entourage of demons engage the dockhands trying to reach their master, and the shoreline turns into a madcap fight scene from some eighties action movie.
“I’m not trying to escape with Innova,” I say.
“Of course you are not,” the Oni replies, the empty eyes of his mask fixed on the Ferryman. “You are a thoughtful man, Dominick. A calculating man who knows the cost would be more than he could pay.”
“Just figured you’d be interested in what’s going on here.”
The Oni takes a step toward his rival. His fingers tighten around the haft of his ridiculous sword—a wall of metal bigger than my entire body. “You are correct,” he says, fearless, like a master looming over his cowering dog.
The Ferryman’s eyes dart along the docks and the shore. His men put up a good fight, but the demons are driving them back, separating the dockhands from their leader. He throws up his hands in desperation before the Oni. “You can’t kill me! I keep the Underworld full of fresh souls, customers you need. If I stop bearing the departed from the world above, the whole circle of death and life breaks down.”
“You speak truth,” the Oni admits. “I cannot kill you. However…”
There’s a rush of wind as the Oni unleashes an overhead chop. The Ferryman screams and his left arm hits the deck with a thud.
“You can still pilot your vessel with one hand.” The Oni leans in close. “I’m quite certain you could do it without legs if need be.” His expressionless mask examines the ship. “The soul-traps on this vessel… you will disassemble them, yes?”
The Ferryman whimpers and gives a vigorous nod.
Then the Oni turns to Innova and me, standing at the stern, near the rudder and the wheel. “You had a hand in arranging this meeting, Dominick. Did you seek reward? Are you currying favor, perhaps asking for another day with my lovely spirit by your side?”
Now we come to it, the moment I’m expecting and dreading and hoping for all at once. I lick my lips, eyeing that insane, bloody thing in the Oni’s massive hand. “How about—how ‘bout you set her free?”
The Oni stares in silence.
“Otherwise,” I continue, forcing some resolve into my voice until it booms over the waters, “Otherwise, I flip this on and you all get sucked into the soul traps like a Hoover.” I tip my chin toward my hand, resting on the switch that powers the vessel’s mechanisms.
I swear, even the dockhands and demons on the shore go silent. Rule number one of the outskirts: you don’t threaten the Oni.
Innova whips her head around at me, her jaw hanging like a fish plucked from the water. Even now she’s the most beautiful creature I’ve ever seen.
I take my eyes off her and find the Oni inches from my face, his blood-mask staring down at me, a fire smoldering in the black pits of his eye holes. “You dare not risk your beloved.”
He’s smart, calling my bluff. I don’t have an answer for that.
“I’d rather die,” Innova declares, “than be trapped on your shelf, brought out to prance before the refuse that frequents your bar, hoping to someday earn the right of basic freedom.”
I take her hand and give it a squeeze. I wasn’t sure how to get around the obvious fact that I would never put her into harm’s way.
The Oni grunts in frustration. His fingers flex and splay around the haft of his wall-sword. “You would be trapped too.”
“I’m Soulless,” I reply. “I’ve got nothing to trap, nothing to lose.”
Our standoff lasts several minutes, and then the Oni laughs. “Well played. Bribing me with my own soul. Truly a calculating man.” He turns to Innova and etches two glyphs of flame in the air. “Your contract is revoked. You are free to go.”
Innova gasps, stumbling like a drunk. Her natural radiance gleams even more, like the sun finally peeking through a cloudy sky. “You—what?”
“You are freed, spirit. No longer bound.” His voice hardens into a primal growl. “Nor do you belong here any longer.”
She flashes me a smile of thanks before he banishes her from the Underworld. There’s a flash of light, then—nothing. An empty spot where she stood, a hole in my heart that only she filled.
I look up at the gloomy skies and the thick stalactites high above, imagining that somewhere, beyond the miles of rock and lava, she’s feeling the sun on her face once again. It’s the only thing keeping me standing under the crushing weight of grief and loss.
“I respect what you have done here, Dominick,” the Oni says. “But you are wrong.”
“About what?” I stand at the stern, staring into the darkness above.
“Having nothing to lose,” the Oni says. He marches off the ferry, each step rocking the shuddering vessel.
Since I’ve started playing music for the base chapel again, I decided it might be worthwhile to get some current music.
While I have my concerns about the praise & worship industry and the seeming endless stream of albums it churns forth, I admit I like finding powerful music that conveys an age-old truth in a fresh way.
I picked one of the song titles to get an idea of some of the album’s music, and went with “Catch the Wind.” The keys caught my attention at once, airy and flighty but energetic and driving. The message of the chorus hit home as exactly what I wanted:
Your faithfulness will never let me down
I’m confident I’ll see Your goodness now
I know You hear my heart, I’m singing out
There’s nothing that can stop Your goodness now
The song has flowing, rhythmic verses and a deliberate, declarative chorus on the beat, a nice contrast that I enjoy both musically and spiritually. It’s not really a “sing this in church with the congregation” song in my mind, but it’s a great meditative song I’ll listen to in the car or in my personal quiet time.
I also listened to “There’s No Other Name” which is a much more congregational song. Majestic and purposeful, it celebrates the greatness of God with reverence.
Your power wakes the dead again,
and Your love destroys the grip of sin.
There’s no other name,
There’s no other name like Yours, Jesus…
As the function I’m playing and singing for has a lot of older members in attendance, the hymnodic quality of the song seems fitting. I can picture it pairing well in a mix with the relatively old praise and worship chorus “No Other Name.”
Or maybe that’s just how I’ll play it at home.
I shared these songs with my wife, who wasn’t as impressed as I expected. “You know, don’t a lot of these songs sound the same? Those seem very similar to the ones I just shared on my Facebook page.” She echoed many of my concerns about the factory-produced feeling this genre all too often conveys.
Turns out she had found and shared another Starlight song, “Take Courage.” Not surprising that it sounded similar, coming from the same album.
She played the song for me to prove her point, and I was struck by how much the lyrics sound like a modern version of a Psalm… something like Psalm 42 & 43 with the repeat refrain asking “Why so downcast, oh my soul? Put your hope in God.”
Take courage, my heart… Stay steadfast, my soul…
He’s in the waiting… He’s in the waiting…
Hold onto your hope as your triumph unfolds…
He’s never failing… He’s never failing…
I’ve been richly blessed by just these three songs, and I have another ten songs waiting on the album. I figured I’d throw it out there in case anyone’s looking for some new music perfect for personal reflection and worship.
Throwing it out there for others who might be interested.
The home of David M. Williamson, writer of fantasy, sci-fi, short stories, and cultural rants.