Tag Archives: game of thrones

Non-Stop (Sanderson: The Musical)

A reddit user commented on my Encanto Brandon Sanderson parody, suggesting that the REAL mash-up we needed was Non-Stop from Hamilton, but about Brandon’s insane writing discipline.

Which was like, “Yeah. Obviously.”

So that happened.

If you’re in the overlap on the Venn diagram of Sanderfans and Hamilfans or whatever the groups are called, this is for you.

Please note: References to G. R. R. Martin and R. Jordan are meant with only the deepest love and respect for their legendary impacts on the genre. When I thought about the characters and what they were saying in the original song, it seemed most fitting for Martin to fill the role of Burr and Jordan that of Washington. I think Angelica and Eliza are simply fantasy readers / fans.

 (Here’s a poor GarageBand version of non-stop sanderson.)

Non-Stop

After my stories got published in stores
A-After my stories got published by Tor
I planned other series and pitched some more
I published mine and won awards

Even though I started long before his time
Brandon Sanderson began to climb
How to account for his rise to the top?
Man, the man writes non-stop

Fanbase of the Mistborn series, bear with me
Are you aware that there’s a shared hist’ry?
This is the first novel series I’ll write about this planet
With two or three to follow, I’ve planned it (non-stop)
I intend to move beyond this planet further out
Into a system of novels

Just novels, Sanderson, sit down.
Your varied series are all standalone.
Let’s just publish this.
That’s all you need to write

Oh right, One more thing—

Why do you assume all your books should tie into
All the other books you’ve written? This is new.
Why do you assume that your fans will follow through?
Soon that complex plan may be your doom

Why do you write like there’s no such thing as time?
Write day and night like there’s no such thing as time?
Every day you write, like you’ve sundered space and time
Keep on writing in between time — (non stop!)

World-building’s such an old thought that we can think
About in fantasy, and nowhere is it stronger than in magic themes
Its cost and its economy increasingly showing and
Honestly that’s more important than all the power schemes I’ve seen (non-stop!)
I drafted a law, I’ve practically perfected it
I’ve seen some weakness in the genre, I’ve corrected it
Hard magic systems need more clarity
If not, then the weak plot will leave readers feeling lost in mediocrity

Sanderson, teaching BYU creative writing
I’ll be posting all my classroom lectures on writing
Teaches the craft from drafting to selling it
Now what I’m going to teach should be worth telling it
Goes and proposes his own laws of magic use (What?)
His own laws for well thought-out magic use (What?)
Talks for twelve hours, and it’s all on a playlist
Bright young man, yo, writers should watch this!

Why do you always write with such belief?
Why do you always write with such belief?
Every story moral uplifting,
Free inspiration for your devotees

Why do you write, always so reliable? (hey!)
Why do you write, always so methodical? (hey!)
Every day you write, always reaching the next goal
Do what you do

(knock knock knock)
Hello Brandon?
Mr. Martin
Well, it’s the middle of the day
Can I come in, then?
Is this an author matter?
Yes, and it’s important to me
What do you need?

George, you’re a finer writer than me
Okay
I know they say I’m plain, my words restricted,
You’re incredible in prose
You’re verbose, descriptive,
Our fans need our very best,
You’re the solution
What’s on your chest?
A Song of Ice and Fire’s conclusion
No
Hear me out
No way!
A couple more novels, properly revised and published
Presenting the end for the public
No one will read it
I disagree
The show’s end failed!
George, that’s why we need it
The whole conclusion’s a mess
So there’ve been some tough lessons
Subverted expectations
So go back and address them
You have to start somewhere
No, no way
You’re making a mistake
Good night

Hey
What are you waiting for?
What do you stall for? (What?)
You wrote much more
What was it all for?
Do you support a strong conclusion?
Well yes
Then finish it
But what if all the readers have left?

Sir, you plotted and outlined and revised
For the rough draft of the novel you started to write
For fans who will buy all your books with pride
I don’t understand how you’re taking all this time

I’ll keep my next draft close to my chest (wait for it, wait for it, wait)
I’ll wait for the muse to show me where to go
I’m taking my time, watching the aftermath of the ending of my HBO show

I am turning to the Cosmere
I have been reading work by someone who always writes
I have found a wealth of novels that will
Keep me still reading for all my nights
He may write in layman’s prose, but heaven knows
Published on time beats “someday might”
My Brandon Sanderson
Collection’s grown in size

Look at where you are
Look at where you started
The fact that you still write is a miracle
Stormlight Archive – that would be enough
And if Reddit could steal a fraction of your time
If you can share what’s on your mind
That would be enough

Sanderson joins forces with a team of friends and family
To write a series of series, standing on their own but interconnected,
Entitled the Cosmere
The plan was to write a number of fantasy novels;
Each book would be complete on its own.
Thus far, the Cosmere spans 22 novels published over 17 years.
With pandemic weighing on his mind
And with several projects still on time
Sanderson wrote another secret four!

How do you write like you live outside of time?
How do you write like you live outside of time?
Every day you write like Investiture supplies
All the strength you need to find
All the words that you provide

How do you write like there’s never any block?
How do you write like you’re always on the clock?
How do you write like you’re never gonna stop?
Like you’re never gonna stop
Like you’re never gonna stop

They deserve the Wheel of Time
To be finished and complete
To have the ending that it needs
I’m asking you to finish it for me (one volume or three?)
I know it’s a lot to ask (one volume or three?)
To leave behind the worlds you wrote…

Sir, do you want me to write one final book or three volumes?
Three
Let’s go

Brandon Sanderson
They want to read
Brandon Sanderson
Look around, look around at how lucky we are to be a reader now
Published

They are wanting more to read
Look around, isn’t this enough?
Fans will never be satisfied (what would be enough?)
We will never be satisfied (So we theorize)
Theorize, fantasize

Fantasy has its eyes on you (Look around)
Why do you assume all your books should tie into
All the other worlds that your writing introduced (non-stop)

Why do you assume all your books should tie into (non-stop)
All the other worlds that your writing introduced (Fantasy has its eyes)
Why do you write like you live outside of time (non-stop)
Why do you write like
Fantasy has its eyes on you!

I am not givin’ away my plot! (Just RAFO)
I am not givin’ away my plot! (Just RAFO)
I am Brandon Sanderson
Sanderson, Just RAFO
And I am not givin’ away my plot!

Graphic Subjective Matter

There’s a lot of froth and excitement on the Interwebs about the recent episode of HBO’s Game of Thrones, which involved a graphic rape scene.

For a number of fans, this crossed a line and forced them to give up the show–a show which up to now has been extensively violent and sexual, with depictions of incest, dismemberment, beheadings, sadism, murder of children, murder of a pregnant woman and her unborn child, and the exploding of a human head with one’s bare hands… to name a few choice subjects.

The series is full of questionable matter, but we all draw our lines in the sand differently.

On the one hand, some question what makes rape any different from the above. The show’s writers are clearly depicting a horrible world in which people with power often abuse those without power, including through sexual assault. The perpetrator is an already-established cruel villain delighted by inflicting pain and stripping his victims of any shred of humanity left to them. Defenders of the show might say this accurately depicts evil, both in the individual perpetrator and in the world at large. This is the grim reality of the world Martin created in the novels and all too often reflective of the world around us. At this point, there’s sort of a sense that “you knew what you were in for when you clicked on this show, and you could turn it off if you really wanted to.”

On the other hand, is a rape scene necessary at all? Or is it a trope and a symptom of lazy writing? Abuse of women is all too common even in our modern “progressive” society, let alone medieval times–something I hope we’d all prefer to see changed. Doesn’t portraying such violence glorify or encourage the act? Is it just a cheap grab at the “feels” of the reader, an easy way to engender compassion or empathy for a character? Does the scene require graphic and detailed explanation? Will this moment serve a purpose? Or is it only there to prove the grittiness of the storyline? Are we pushing an edge to say something meaningful, or simply because there’s an edge to push?

I have to ask, what’s wrong with a simple fade-to-black? When the lovers passionately kiss and start pawing at each other, they can close the bedroom door without showing anything specific, and the meaning of that moment isn’t lost. When the sadistic villain makes obvious threats about what he intends to do with his captive, again, we don’t need to see it take place to guess at what actually takes place between scenes. When the killer is bearing down on his intended victim, we don’t have to see a knife plunge repeatedly into someone’s body to understand the peril of the moment.

I know, that’s a nicety for the prudes and the oddities who don’t want or need to see nudity and blood splashed on every other scene. There’s a reason this particular show plays on HBO and not NBC primetime.

And this leads me to think about writing and storytelling. Whether we’re talking graphic sex, graphic violence, or a combination of the two, I have to ask: What’s the point of it? Is it shock value or storytelling?

I’ve seen the question posed long before this episode of Game of Thrones. And I’ve given it some thought, but only in the distant sense of conjecture. Then I considered my fantasy novel, currently in first-draft form being read by a selection of alpha readers.

There’s a scene early on where the main character is assaulted. When writing, it struck me that rough men willing to murder an innocent and isolated woman would probably also have no qualms about taking advantage of her situation. I don’t provide a heap of details, and the moment “fades to black” before anything graphic takes place. In this case, the desperation she feels in the moment triggers activation of a hidden power as yet undiscovered, which leads to the rest of the events of the book.

One of my friends pointed out that the scene lacks the sense of utter powerlessness and helplessness that would take hold during an actual assault. There’s a sudden crippling realization, I’m told, that nothing you can do is going to stop this from happening.

Maybe that’s part of the fantasy, I guess… that in this one case, someone trapped in such a terrible situation suddenly finds empowerment and escape, and stops the assault before it goes too far.

A mantra I’ve often heard among writers is that “every word has to do double work” meaning every word counts and serves a purpose. There’s no room for bloat and fat. So if we include anything graphic in our creative works, it ought to have a greater point than mere spectacle or sensationalism. We can show how evil respects no boundary formed by civil society; that doesn’t mean we simply violate social bounds to show off.

I’m not sure that’s the guideline the show is following, but it works for me.

I’m curious: what are your thoughts as a reader or viewer regarding graphic violence and sexuality in a written story, movie, or television show?