Tag Archives: Cinema Sins

Cinema Sins

There’s a YouTube channel I admit (with some guilt) I find entertaining.

Cinema Sins posts clips from various movies, and they count up the number of terrible clichés, plot holes, and cheesy lines to give the movie a score. Needless to say, this game is like golf: the less points the better.

Their slogan is that no movie is without sins.

I watched the “review” of Divergent, which did not fair well. And while some of the critique might be valid, I began to wonder about what exactly they’re going for.

On the positive side, I can appreciate the criticism as a useful tool. As an aspiring novelist, they show great examples of what I might be doing wrong–instances where I might think “Wow, that’s cool” but then realize it was cool in those 15 action movies that each used the same scenario, plot twist, or snappy retort.

But on the other hand, I have to ask: What movie are these guys putting out there? What great amazing story are they writing?

Because it’s easy to sit back and look at everything Hollywood releases, tallying up sins and saying “Oh that’s so lame, that’s so overdone.” But it’s another story when you’re trying to create something unique, something special. (And arguably none of our stories are really all that unique. Most follow structures we’ve learned from other stories.)

Regardless of how many "sins" Cinema Sins finds in your plot.
Regardless of how many “sins” Cinema Sins finds in your plot.

I can’t help but think of the Roosevelt quote, always a great reminder:

“It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood; who strives valiantly; who errs, who comes short again and again, because there is no effort without error and shortcoming; but who does actually strive to do the deeds; who knows great enthusiasms, the great devotions; who spends himself in a worthy cause; who at the best knows in the end the triumph of high achievement, and who at the worst, if he fails, at least fails while daring greatly, so that his place shall never be with those cold and timid souls who neither know victory nor defeat.”

So there.

 

Ok, now I’m gonna go back into my draft and change some overdone plot twists.